Greater Forest Lawn

YOUTH ARTS ACTION (South) and WHAT FEEDS US are our primary program in GFL. They are both comprised of youth aged 15-18 who act as creative leaders in their community.

Interview with Artist Lane Shordee


Over the past few months the Forest Lawn Youth Arts Action group has been busy working with local Calgary artist Lane Shordee to complete a public art signage project that will be installed in the new Forest Lawn Natural Playground. We sat down to ask Lane a few questions about his work and his process.

Stay tuned for more images of this finished project and other projects Youth Arts Action is completing in Greater Forest Lawn

KEVIN: Hi. Lane. Let’s start off by telling us a bit about yourself.

LANE: I’m a professional artist. I live in Calgary, but I started drawing in Saskatchewan. I draw consistently. When it comes down to it, all the things I make come from some sort of drawing, whether or not it’s a drawing that lives in my brain or one that makes it out into the world.  The final outcomes are always different, but they all start with drawing; making stuff up, scribbles, sketches, whatever you might call it.  Not to say that I pull things out of thin air, because I don’t.  Ideas all come from somewhere, and that’s where objects come into play.  Now objects can be as far ranging as bits of information picked up in a youtube video to a gum wrapper on the street; it’s all material that I can work with.  Tactile objects (the ones I can touch) are usually the solution to making a drawing a reality, but they often appear as a sort of puzzle piece looking for another, instead of a perfect answer, especially when it comes to found materials. The materials I use are always undergoing a process of modification, which is both challenging and exciting.  I have to admit that some things are more intriguing than others, but most of the time I can’t tell until I have lived with them for awhile, sometimes that can be years, other times it can be seconds.  I do not discriminate between objects and things or people and places, because everything is unique and has the potential to become part of a language that we can speak.  Objects have charisma, by that i mean they contain something that has an impact on the world. If they intrigue me then they might have that same impact on someone else.  I have come to an understanding that all things are in flux, which means that all things have the ability to become something different.  So in the drawing process, I reclaim material, to help build a story about a cultural mash-up of ideas rooted in all parts of history and the differences between the environment that we live in and the environment that we wish for.

KEVIN: You’ve done quite a bit of work. Can you tell us more about some of this work you have done?

LANE: In the last few years I’ve been working on a lot of different types of projects, collaborating with all types of people, and using all sorts of materials. I am really curious about water, so many of my projects are about it.  It is such a powerful force when you look at tsunamis, floods, and the ocean.  At the same time water is something we use everyday: to cook, to clean, to play with.

In the summer of 2014 my good friend, Michelena Bamford (a local mosaic artist), and I wanted to create a sculpture that would help resolve a flooding issue at the Wildwood Community Center. So we made ‘Water Spiral’, a work of art that could store the rainwater that was pouring off the roof of the community centre, into an underground cistern that was used to water the neighboring community garden.  We also wanted to create a meeting place for people  in the neighbourhood; we built a deck above the cistern from materials we scavenged in the community, like old planks of wood, signs, and fences.  To tie it all together we used an old propeller to create a wind turbine that would keep the water moving down below in the underground cistern.  

Another project I had a great time working on this year, that also talked about water, was a puppet show called “The River”. I created a cast of puppets from recycled cardboard for the show that told of an old folk story, partially based on David Thompson’s journey up the North Saskatchewan River and Native American Folklore.  It follows a character called the trickster, and a love story that evolves between the moon and the stars.  In the story the river becomes a living being that ties all of the characters together. I was fortunate to work with a group of talented performers/puppeteers that brang my creations to life.  In the end I learned valuable lessons on how they used my puppets, that I could take into future projects to help me understand how people play.

KEVIN: Why is reclaiming found materials so important to you and your work?

LANE: The reclamation of material, or scavenging, came from a deep seeded belief in valuing all materials equally, and taking responsibility for how we use them.  This includes our waste, which we’re quick to toss away without thinking about how it impacts our world.  I’m interested in recognizing how I contribute to the Anthropocene era (which began around the 1970’s to the present, when human activities started to have a significant global impact on Earth’s ecosystems.)  

I believe that if we can look at rejected materials, or waste, in a new way - as something that can be functional and beautiful, it could start to help curb our negative impact in the world.  By making these works, I want to start a conversation about how we can use waste like we would use any other resource.  Could we build a bicycle out of old sink parts? Or a skatepark out of rejected cars?  Instead of hiding our waste in a landfill, we can give it a new life.

Field Trip to the New Gallery


Last October, YAA headed out on our first field trip of the year to The New Gallery, an artist-run, non-profit centre for contemporary art located in Chinatown.  We attended a talk as a part of the current exhibition 2 works, 3 talks, 6 questions (Eric Moschopedis with Keyede Osuntokun and Bryce Krynski) where we listened to Pam Beebe and Tito Gomez share about creating Dover Kids Club.  Responding to the interests of children in Dover, the club is a grassroots initiative to create safe social spaces for children after school.  We heard about the challenges they have had working with institutions as well as the successes of other partnerships.  I was challenged and inspired by their example of starting exactly where the community was at – in this case engaging kids with stickers.  The club has grown to provide a variety of social and cultural opportunities for the children and adapted to find spaces where they are welcome.  I think we all enjoyed hearing from one of their collaborators, Wakefield Brewster, a spoken word artist.  He dynamically shared some of his art and story of working with Dover Kids Club.  

The talk was set amongst pages of analyzed and highlighted text from The Rise of the Creative Class by Richard Florida and portraits of diverse individuals painted in gold.  Moschopedis’ work explores how people relate to each other and to space, and critiques the use of creativity as an economic driver for a city that Richard Florida proposes in the book at the centre of this show.  Realizing the power art holds in shaping space and changing communities, in both positive and negative ways, we were challenged to consider how our creation of public art affects people and space.  

Check out more about The New Gallery here!  

Beakerhead 2015: Poetry Board & Stage Design

Antyx Communtiy Arts partnered with #Beakerheard again this year. Heres is Kamilla, one of our #youthartsaction youths had to say about the festival and our group creation:

Kamila: “I don’t celebrate Christmas, or Easter; I celebrate Beakerhead.  It’s that one time of the year where people from completely different lifestyles connect with one another. It’s a place where Environmentalists work with mechanics, and no one asks questions. Creativity is of no limit, but as a thoughtful young philosopher once said: “the journey of a thousand miles begins with one step” (Lao Tzu). That being said for Beakerhead this year we’ve created something everyone was able to contribute to. On the main stage we’ve managed to attract the attention of many individuals with no prior experience, who in the end created a temporary hub space for anyone to send a message, or interact with the community. Interested in learning more? Check out the video above!”

Youth Arts Action


YOUTH ARTS ACTION are a group of youth (ages 15-18) who act as creative leaders in the Greater Forest Lawn area. The youth identify and address issues that are relevant to them in the area and then create a series of creative projects to transform these issues in their community. Youth will work with local artists and organizations and will build community leadership and artistic skills while doing so.

We are looking for youth interested in making positive social change in their communities through creative ways starting this September 2015. We will be meeting every Tuesday 4:00pm-6:00pm at our Antyx Youth Arts Hub #205 ­ 4202 17 Ave SE starting September 22, 2015 . Currently, projects include building a digital sound installation and sculpture to be installed in the new natural playground across the street from Greater Forest Lawn High School. Other projects will be generated depending on the issues that the youth want to address. We have also planned a series of field trips to galleries, events and to meet other youth leaders throughout the fall term. There is no registration fee necessary.

ANTYX COMMUNITY ARTS is a creatively unique organization that develops opportunities for youth to use the arts for self-exploration, building community connection and making positive social change. Our mission is to engage youth to empower and transform the communities they live in.

For more information please contact